Category Archives: Creativity

Are You Making These 6 Mistakes That Lead to Writer’s Block?

Feeling stuck?

Sometimes writer’s block happens because there’s some aspect of your story that you need to stop and think about.

But if you’re feeling blocked on a regular basis, there’s a good chance you’re making one of these 6 psychological mistakes that writers often fall prey to.

Mistake #1:  You rely too heavily on inspiration to get started.

When you were young, you had to write a variety of things for school, and that felt like drudgery.

But if you had an inclination toward writerhood, you would sometimes feel inspired to create something wonderful for yourself.

You came to think of your own writing as something that happened when you were inspired.

That’s how we all start out.

But there’s an important truth that these childhood excursions into writing didn’t teach us:

Inspiration happens more often when you’re already writing.

When you wait for inspiration to get started, you spend a lot more time waiting than you do writing.

It’s better to write about the dumb thing that happened on the bus in your journal than to not write at all.

It’s better to do a writing exercise (google “writing prompts” to find thousands of them online) than to not write at all.

It’s better to write a scene of your novel that will need revision later than to not write at all.

The more you write, the better you get.

Writing exercises aren’t a waste of time–they’re a form of training that gets you ready so that when inspiration strikes with a great idea, you have the skill to actually write it well.

Mistake #2:  You only write when it’s easy.

There’s this myth in literary circles that if you’re a talented writer, writing will come easy to you.

It’s completely untrue.

Sure, there are times when the writing comes easy. Where the words just flow and the characters seem to be writing the story for you. Those are the times when writing is fun.

Many writers make the mistake of assuming that it will always be this easy. If they sit down to write and the words don’t immediately start flowing, they give up.

They think things like:

I must not be inspired enough.

I must not be ready to write this story.

I must not be good enough to write this story.

So they quit for the day.

In doing so, they’re essentially training themselves to only write when it’s easy. And the next time a challenge comes up in their writing, they’re more likely to quit.

It can become a downward spiral into fear, where eventually they go weeks without writing. Because they’re afraid that if today is a difficult day, it means they’re not as talented as they want to be.

A variation on this is that you assume that if the writing is difficult, you must be writing badly.

Not true. When the writing is difficult, it’s often the case that you’re stretching yourself.

I’ve done extensive tracking of my own writing, and have discovered through my tracking journal that how much editing a scene needs has no correlation at all with how difficult it is to write. In fact, some of the scenes that need the most work are the ones that felt easy to write. Because I wasn’t digging deep enough.

Of course, sometimes the writing feels difficult just because you haven’t thought the scene through. In that case, a bit of brainstorming is all that’s needed to make the writing go a little easier.

Other reasons the writing could feel difficult? You’re sick, you’ve exhausted your creative energies for the day on other things, or you’re just in a terrible mood. What you’re writing could be just fine, but your perception of it might be colored by what’s happening in the rest of your life.

Mistake #3:  You rely too heavily on your talent.

I don’t know how many times I’ve heard new writers say proudly that they’ve never taken a writing course, because they don’t want to risk constraining (or diluting, or squashing) their talent.

Deep down, I think they’re afraid that if they learn the techniques of their craft, it will somehow mean they’re not artists.

This is so, so sad.

Because every time I read the work of someone who says this, I see them struggling to execute on a story that would be a thousand times better if the writer had more skill with dialogue, with exposition, with all the other techniques that they’re afraid to learn.

Art and technique are not opposites.

Techniques are tools that you use to create a piece of art.

The real art is in how you use those techniques to tell your story.

Mistake #4:  You won’t commit to a project unless you’re sure it will be successful.

Do you have a story you’ve been dying to write but have been stalling on starting?

I did, for years. I worked on stories that felt safer while my favorite story idea languished on the shelf. I told myself that I needed to do more research. I told myself that I needed to become more skilled to pull it off. I told myself that it was the kind of novel that required a more mature writer.

But the real reason I was procrastinating?

I didn’t see a clear path to success. And I loved that story idea so much, I couldn’t bear to see it fail.

It took me five years to get up the nerve to start it. I regret every second of that delay.

Everything worth doing brings not only the hope of success, but the possibility of failure.

If we hold ourselves back because we’re afraid to fail, we’ll never get where we want to go.

If there’s something you’ve been wanting to write, but have been stalling because you can’t bear to see it fail…guess what?

By not writing it, YOU ARE FAILING.

Mistake #5:  You won’t write unless conditions are perfect.

We all dream of a perfect place to write…a shabby apartment in Paris, or a cabin on a tropical island, or even a shed in our own backyard.

Maybe yours is a desk in a corner of a room where the kids aren’t allowed to leave their toys.

Or the window seat at Starbucks that’s next to the electrical outlet and the fake wall that muffles chatter to a non-distracting level.

We long for a place where no one ever bothers us.

Where the chair is so perfectly adjusted, our backs don’t ache even if we write all day.

Where someone brings us exactly what we want to eat or drink without talking to us and interrupting our thought processes.

Where our colored pens never run out of ink and the wifi zooms so fast that it only takes seconds to find out what kind of shoes children wore in the 16th century.

Yes. That would be awesome. If you can arrange for this, do so.

But if you can’t, WRITE ANYWAY.

Write even though you’re tired.

Write even though your spouse is watching CSI reruns in the next room. (Ear plugs are awesome, by the way.)

Write even though you’re on the bus and you only have time to scribble a quick page of dialogue.

Write standing up at the kitchen counter while you’re waiting for the ramen water to boil.

If you push yourself to write when things aren’t perfect, you are training yourself to be able to write when things aren’t perfect.

Which is a great skill to have when you live in a world where things are almost never perfect.

Mistake #6:  You want to be entertained by the writing process.

Our early experiences of inspired writing are often our happiest memories. The ideas come to us in an ecstatic rush. We’re eager to get the story down on paper (or disk). We laugh or cry as we live the story through our characters.

And we look forward to the next rush of inspiration, because inspired writing is fun.

There’s nothing wrong with being entertained by your own creative process. It’s wonderful, and you should enjoy it when it happens.

But if you insist that every day of writing be entertaining–that your Muse entertain you in addition to inspiring you–you’re putting an extra (unnecessary) constraint on your creative process.

Instead of just figuring out how to write the story that your readers will love, you now have to find an interesting way to write the story that your readers will love.

And as we all know from studying our craft–conflict is interesting.

So you’ll start finding ways to generate drama around your writing that actually impede your progress. Like writer’s block.

What’s the fix?

If you’re feeling blocked, and you suspect you might be unconsciously making any of these psychological mistakes, there’s one thing you can do that will cure all six of them simultaneously.

Start a writing habit.

It doesn’t have to be every day, it can be the three afternoons a week when your kids have after-school sports practice. Or your lunch break at work.

Whatever kind of writing schedule you can set up, do it.

Writing at regularly-scheduled times trains you to write when things aren’t perfect.

It trains you to start writing and trust that sooner or later, inspiration will hit.

It trains you to get into a writing mindset at will.

It teaches that you can write when you’re in a terrible mood, or when you’re sick, or when you’re not even sure you want to be a writer any more.

And most important, it’s how you master the techniques of your craft so you can use them to make art.

Do You Have a System for Getting Unstuck?

Last week, we talked about how systems make it more likely that you’ll achieve your goal.  Today I’d like to talk about creating systems for overcoming the obstacles that we all hit at one point or another.

In other words, systems for getting unstuck.

Because we all work a little bit differently, one size doesn’t fit all here.  What helps me might not help you.  The first step in creating your “unblocking” system is to take a few minutes to think about how you’ve written in the past. Continue reading

It’s Time to Write Some On-the-Nose Dialogue

It’s Day 8 of JulNoWriMo, and I’m writing some terrible dialogue.  It’s clunky.  It’s stilted.  It’s on-the-nose in that way that every writing teacher on the planet tells you dialogue shouldn’t be.

I’m declaring this to be a good thing.

Why?

We’ve all had the experience of having a conversation with someone who isn’t being as nice as they could be.  Someone who doesn’t have a problem looking you in the eye and saying something kind of condescending.  Or rude.  Or just downright idiotic.

And we’ve all had the experience of not knowing how to reply.  So we bite our tongues, or stutter an “excuse me”, or just shake our heads and change the topic.

Then, a week later, we’re in the shower rehashing that conversation and voila, it shows up–the perfect retort.  “That’s what I should have said!” we explain to our uncaring shampoo bottle.

Because that annoying conversation is still bothering us, and deep in our heads, some part of our brain was still trying to come up with a response.

The bad news is that I don’t have any advice for being wittier at parties.

The good news is that you can use your brain’s tendency to get stuck on the dumb stuff you said a week ago to be a better writer.

First, you have to actually write the crappy dialogue.  Let it be horrible.  Let your characters make fools of themselves.  Let them spill their guts all over the page of your first draft.

Second, each night before you go to bed at night, pick a horrible section and read it before you go to sleep.  Allow the awfulness of this passage to bother you.  Not that you wrote it, but that your characters spoke it.  Be bothered by the fact that one of your beloved characters didn’t get the last word.  Imagine how embarrassed your hero that he sounded like a total dorkhead.

Then sleep on it.

Repeat until you find yourself staring off into the distance at the grocery store checkout line, mumbling that perfect line of dialogue over and over again so you won’t forget it by the time the cashier hands over your receipt.

I can’t tell you how soon you’ll start having those, “That’s what she should have said!” moments.  I’m starting to come up with better lines for the scenes I wrote back on Days 1 and 2.  That’s about right…that’s how long it takes me to come up with the perfect retort in real life too.  But my subconscious might be a lot slower than yours.

Here’s the passage from my WIP that I’ll be chewing over tonight:

“I don’t want my record expunged,” Soji said.  “I want a fair trial and I want to choose my own lawyer.”

Ghost cocked her head.  “You liked being court-martialed so much, you want to do it again?”

“I didn’t hide those drugs in the convoy.  Someone else did.  And they got away with it.”

“Revenge,” Shadow said softly.

Soji shook his head.  “Justice.”

“You’re hired,” Ghost said.

“Incidentally,” Shadow added, “when you accessed the file on your new bounty, your implant received an upgrade that will keep us informed of your location at all times.”

He took out neural inducer and tossed it to the floor in front of Soji.

Soji picked up the tiny patch—a sleeper.  He’d be unconscious for fifteen minutes, during which time they would be free to do who-knew-what to him.  I already hate this job.

“What if I need to contact you before I get to the rendezvous?”

“That would be unfortunate.”

Join in the fun–pick a run of dialogue from your work-in-progress that you’d like to improve and try this technique. 

If you want to save me from being the only person sharing first-draft awfulness with the world and post a snippet here, you’ll earn my undying gratitude and a virtual high-five for your bravery. 

 

The Relationship Between Creativity and Willpower

Have you ever started the day determined to stick to your diet…and blown it by lunchtime?

There’s a reason that as the day went on, it got harder for you to live up to those good intentions. Psychological studies on willpower and self-control have revealed that we actually have a limited amount of willpower available to us each day–and once we’ve used it up, it’s gone.

Yes, gone. Self-control–the ability to make yourself do the right thing instead of the easy thing or the fun thing–is an exhaustible resource. Or, to quote Chip and Dan Heath, the authors of Switch: How to Change Things When Change is Hard: “What looks like laziness is often exhaustion.”

How We Burn Willpower

  • Making choices
  • Editing or otherwise controlling our behavior (usually as a way of managing other people’s impressions of us)
  • Controlling our emotions, especially negative ones
  • Focusing on instructions given to us by someone else
  • Being careful or deliberate in performing a task
  • Forcing ourselves to push on with a task even though we’re frustrated
  • Engaging in creative thinking

In other words, any time you’re not on autopilot, you are burning up self-control. How many times per day do you bite your tongue, force yourself to choose carrot sticks over cookies, or come up with a creative solution for a problem on the job?

The energy that fuels your creative process is the same energy that fuels getting chores done and resisting the ice cream in the back of the freezer. That makes it even more important for us creative types to be good about managing the mundane aspects of our lives–so we’ll have more energy left over for writing that novel!

 How to Get More Willpower

The good news is that, while self-control and willpower are exhaustible, they’re also renewable, and there are things you can do to increase the amount you start the day with.

Take care of your body. One of the biggest factors in how much willpower you have is your health. Physical vitality translates into mental energy that’s available for making choices. Lack of sleep, poor nutrition, and other things that drain your body don’t just affect how you feel, they also affect how much self-control you have available. Getting a good night’s sleep, taking a fifteen-minute walk, a few minutes of deep breathing, eating a healthy meal: these are just a few of the small steps you can take to increase your physical vitality, and at the same time, your willpower.

Nourish your mind. Mental stress–sensory overstimulation, an environment that’s full of distractions, having too much on your mind–also reduce your available willpower. There are many small steps you can take to reduce mental stress too: meditation, journaling, talking with a good friend, losing yourself in a good book for a few minutes, listening to relaxing music.

Use Your Willpower Wisely. Here are some strategies for making the most of the willpower you’ve got.

  • Do the important things first. There’s a reason so many successful writers recommend getting up early in the morning and writing first thing.  At the end of the day, you’ve got much juice available to channel into your novel.  If your reserve is exhausted, you’re likely to skip your scheduled writing session altogether.
  • Make starting easier. Taking the first step on a project often involves overcoming many mental hurdles, and each of those hurdles requires a bit of willpower to get past. What’s the simplest first step you could take? A phone call? A google search? A quick-and-dirty list that breaks the project down into simple steps? Gathering all the materials you’ll need in one place? Anything that makes you feel like you’ve gotten a grip on the project today can make it easier to do the next step tomorrow.
  • Eliminate unnecessary choices. It’s hard to choose carrot sticks over cookies as a snack — but what if it wasn’t a choice? Bring healthy snacks to work with you. If you need help keeping portions in check, put an appropriate amount of your snack into a ziploc baggie, so you don’t have to think about how much you’ve eaten.
  • Simplify your routines and habits. For example, how many choices do you make every morning while you’re getting dressed? Laying your clothes out the night before or having your closet arranged by outfit could make getting dressed a
  • Plan ahead. Do you have to wrack your brains every night to come up with something you can make for dinner using what’s in the fridge? How many decisions and how much mental stress could you eliminate from you day by planning the week’s meals ahead of time and buying the necessary ingredients each weekend?
  • Arrange your environment to make the right choices easy. If you have to clean off your desk before you can start writing your novel, how likely are you to work on the novel? Would you channel surf less if your television was hidden away in an entertainment center with doors? Could you hide the junk food in the back of a cabinet and put the healthy food right up front? The more your environment supports the habits you’re trying to cultivate, the easier it is to stick to those habits.
  • Make a checklist. If you have to look around a messy room and decide what to do first, you’re squandering precious willpower. But if you have a cleaning checklist for each room, all you have to do is follow the list.
  • Set rules. This one sounds like a drag, but when you discover how much mental stress the rules can save you, you’ll be glad you did. One of my new rules is that every time I go into the kitchen to make a cup of tea, I do a small kitchen chore while the water is heating, like loading or unloading the dishwasher. Stress eaters often reduce snacking by following the rule that every time they get stressed and want to eat, instead they take a minute to do a breathing exercise. Thinking about situations where your willpower often fails and coming up with a rule that guides you to the better choice can significantly reduce the amount of stress you feel when that choice comes up.

The better you get at using your willpower wisely, the more effective you will be in your daily life. And here’s how the kaizen approach can help: if you break your goals down into small steps, you only have to use a little bit of willpower each day until that small step becomes a habit (i.e. an action that does NOT drain your willpower).

And once that small step is a habit, you take the next one, and the next one…until you’ve got a whole repertoire of good habits that keep your life under control, so that you can focus all your willpower on achieving the big things.

Can you think of one or more ways you might reduce the daily drains on your willpower?

What’s one thing you could do to increase the amount of willpower available to you?

Keep the Ideas Flowing: Cultivate Inspiration with Active Incubation

“I only write when I’m inspired, and I make sure I’m inspired every morning at 9 a.m.”
– Peter DeVries

Great quote, right? But what if you sit down at the keyboard every morning at 9 a.m. and nothing happens?

How can you make sure that you’re inspired on a regular basis?

You’re probably already familiar with the technique of incubation, where you set a project aside and give your subconscious time to transform your ideas and experiences into something new. Sooner or later, your subconscious makes connections that your conscious mind didn’t, and voila, you’re inspired.

But waiting for inspiration–known as “passive incubation” to psychologists–wastes a lot of time. While you’re waiting, it’s easy to get frustrated and start worrying that the muse has abandoned you. Frustration and worry can block your creativity, delaying inspiration. The longer it takes to get inspired, the more frustrated and worried you get. Next thing you know, you’re in a downward spiral and haven’t written for weeks. Or longer.

Active incubation to the rescue!

Thomas Edison was a master of active incubation. He discovered early in his career that inspiration struck much sooner if he:

  1. Clearly defined the problem he was trying to solve.
  2. Examined that problem in great detail, absorbing as much relevant information as possible.
  3. Once he was sure he’d considered all the angles, he deliberately set the problem aside, ignoring it while he slept or worked on other things.

By pre-loading his mind with a clearly-defined objective and a mass of data, he was often able to incubate with a twenty-minute nap and wake up with the solution he was looking for. I can’t promise it’ll be that quick for you every time, but active incubation significantly shortens that frustrating waiting period.

So how can you apply active incubation to fiction writing?

Here’s the two phase process:

PHASE ONE

Start with whatever you know about the story. Maybe all you know is that you want to write a novel set in that castle you visited on your trip to Scotland. Or maybe you’re sure your heroine is a demon-slayer, but you’ve got no idea why or how she came into her unusual career.

Dig deeper. What captivates you about this idea? Is it the possibility of discovering secret passageways and finding ancient treasure sealed up in a castle wall? Are you fascinated Scottish history?

Do you have a yearning to write a kick-ass heroine who believes that she’s damned? Does your demon-slayer have a magic sword you’d give your left arm to own?

Are you dying to write about something that happened to you, exploring how you might have handled it if you were a different person? What emotions do you feel when you think about this idea? How does this character or setting relate to you and your life?

Now broaden your thinking. What other story elements might be appropriate for this setting/character/etc? Does your initial idea suggest a certain type of plot or theme? Have you read books with similar story elements, and if so, how would you like yours to be different?

Identify what you know and what you don’t know, but don’t worry that you don’t have a complete picture yet. When you feel as if you’ve explored the story idea as completely as you can right now, set it aside for the rest of the day.

Sleep on it. Your brain uses sleep time to process everything you were exposed to during the day, and this is when your subconscious gets busy.

PHASE TWO (repeat daily until inspiration arrives)

Keep your subconscious on track. Take a few minutes to review whatever notes you made, and if a new idea pops up, jot it down. As soon as you feel ready, pull out your usual story development tools—conflict grid, GMC charts, ten-scene plot diagram, whatever works for you—and fill in what you can without forcing it.

Reserve a few minutes each day for quiet time, to listen for inspiration. If your mind is filled to overflowing with the mundane details of your life, your thoughts can drown out the voice of inspiration. Schedule five minutes of “muse time.” Meditation, daydreaming, a contemplative walk, and freewriting are all ways to clear your head and bring messages from your subconscious up to the surface, where your conscious mind can access them.

Seek out new information related to what you already know about your story while you incubate. If your heroine’s major trauma is that she was molested as a child, read a book or article about the psychological effects of childhood molestation on adults. If your hero is a kendo master, watch videos of kendo tournaments on YouTube. Research how castles are built or take a class on life in medieval times. The more relevant information you can give your subconscious to work with, the richer your story will be.

Give yourself some encouragement. Before you go to sleep, thank your subconscious for working on your story overnight, and let it know that you’re looking forward to seeing what it comes up with. Don’t forget to keep a notebook and pen by the bed, so you’ll be ready if inspiration hits in the middle of the night or when you wake up in the morning.

Be patient with the process. Trust that inspiration will come, and don’t let yourself fall back into the old habit of passively waiting. The more consistently you practice the phase two techniques, the sooner your subconscious will have all the pieces it needs to construct that killer idea you’re looking for.

Make it a habit. Don’t wait until you get stuck. Incorporate active incubation into your routine now to keep your creative juices flowing and avoid future blocks to your writing success.

Is there any aspect of your work-in-progress that you’re stuck on or unsure about right now?  

How might you apply the process of active incubation to get clearer on that aspect of your story?

Write Faster, Write Better with Acupressure

You’ve probably heard of people using acupressure to numb themselves for surgery instead of anesthetic, or heal sprained muscles faster, or relieve hay fever symptoms.

And yes, being healthy does make it easier to write in general.

But can acupressure really help you write faster and better?

There’s a subset of acupressure which uses the mind-body connection to change a person’s psychological state. It’s called meridian therapy, and it’s been used to successfully treat depression, addiction, childhood traumas like physical or sexual abuse, and post-traumatic stress disorder.

But you don’t have to have a big psychological trauma in your past to benefit from meridian therapy. It’s also possible to manage your mental state with acupressure for greater creativity and productivity.

Of all the systems of meridian therapy out there, one of my favorites is Tapas Acupressure Technique (TAT), invented by Tapas Fleming (www.tatlife.com).

TAT is extremely simple to use, it’s highly effective, and you can do it to yourself, no equipment needed.

There are many protocols for applying TAT, but the most basic version is to hold four acupressure points on your head while thinking about the issue that’s throwing you mentally out-of-whack.

To assume the TAT pose:

  1. Place one hand on the back of your head, so that the center of your palm is resting on the bump at the back of your skull.
  2. Take your other hand and gently pinch the corners of your eyebrows (at the top of the bridge of your nose) with your thumb and your ring finger.
  3. Place your middle finger over your third eye point.

You can close your eyes if you like, or look at something that’s symbolic of the issue at hand.

After a minute or two, you may find your muscles starting to relax (TAT is great for reducing stress levels). If you need to sit in a more comfortable position or even lie down to hold the pose without straining, feel free. If you’re lying down, you can put a pillow under the elbow of the arm that’s touching the face points for support.

You can find a diagram of the points (great for printing out) here:

https://healingheartscentre.com/Using_TAT.html

If you prefer a video, here’s the inventor of TAT, demonstrating how to do the pose:

http://store.tatlife.com/myTAT-do-this-first

So how can you use TAT to be more creative and more prolific?

Clear your mind before you start writing. Just let your mind wander for a few minutes while you hold the pose. When I do this, I find myself thinking about things on my to-do list and life’s little annoyances, whatever is bugging me at the moment. I know I’ve held the pose long enough when I find that the stuff that was bugging me suddenly seems boring, and my writing project seems more interesting. Clearing my mind like this before writing usually makes me harder to distract while working.

This is especially good to do if you’ve got some negative mental associations around your work-in-progress: a cutting critique from a writing partner who wasn’t as gentle as they could have been, doubts about the marketability of the story, frustration that revisions are taking longer than expected. To clear away these negative associations before your writing session, hold the TAT pose and stare at the manuscript (or the open file on your computer screen). If you feel moved to voice some of your negative thoughts about the project, go ahead.

Dissolve writer’s block. Think about the part of the story you’re stuck on while you hold the pose. You might ask yourself a question out loud, to help yourself focus on the real problem:

“Why does this scene feel wrong to me?”

“What’s holding me back from writing the next part of the story?”

“What would I rather be doing?”

“What do I need to figure out before I can continue writing?”

“What am I trying to say here? What’s my point?”

“Is there something else in my life I need to deal with in order to get unblocked?”

After you ask the relevant question, continue to hold the pose and listen for an answer.

Turn off your internal editor while brainstorming new ideas. The fastest way to stifle your creative flow is to be critical of new ideas as your subconscious throws them up to you. Brainstorming while holding the TAT pose can help quiet that inner editor so that the ideas flow more freely.

Start your brainstorming session by asking a specific question:

“How can Kedry get out of the meat locker before she freezes to death?”

“What are the deeper reasons Jill refuses to let herself fall in love with Jack?”

“What am I trying to say with this story?”

“What are the worst things that could happen to Alex in this scene?”

Then listen for the answer. When I do this, I usually go through several iterations, writing down half a dozen answers and then reassuming the pose and asking the same question again, until I’ve generated a long list of options. I’m often amazed at how many different solutions come to me after only a few minutes of brainstorming.

Release emotions that are keeping you from focusing on writing, like jealousy of others’ success or frustration about a rejection. Sometimes it seems easier to bury these unpleasant emotions and pretend they’re not a problem. But suppressing your unhappiness is not only unhealthy; it can also strangle your creativity, leading to burnout or writer’s block in the long run.

TAT is a safe, gentle way to deal with those emotions directly and let them go. All you have to do is hold the pose and allow yourself to focus on your feelings. Don’t try to censor your thoughts—let them bubble up into your conscious mind, no matter how awful or depressing they seem. Feel free to say them out loud if you’re alone. If these voiced emotions turn into a rant, vent away! Follow the flow of emotions wherever it takes you.

“It’s not fair that all my critique partners are getting agents when I’ve been writing longer than they have.”

“I’m so mad that agents keep rejecting me and they aren’t telling me why.”

“I’m never going to get published. I feel like giving up.”

“Revising this draft is driving me crazy. I want to tear it up and start over again with a new story.”

“I hate that reviewer! It doesn’t seem like she even read my book!”

You may discover thoughts and feelings that you weren’t even aware of having. It’s not unusual to cycle through the same thoughts over and over.

As you continue to hold the TAT pose and let the emotions run their course, you’ll start to feel more relaxed and detached. The emotional charge on those negative thoughts will fade, and it will become easier to think about that rejection or the savage review without feeling furious or devastated. You may start to feel lighter or less burdened, or even experience an upswell of positive emotion.

If the emotions around a particular issue or event are particularly intense, you may need to do more than one session in order to completely let them go. You didn’t accumulate all those negative thoughts and feelings at once, and you don’t have to let go of them all at once. Do TAT for them at whatever pace is comfortable.

I’m not claiming that meridian therapy will guarantee you a spot on the bestseller list or turn you into the next Nora Roberts. But it can help you handle the psychological obstacles of the writer’s life more quickly and easily, so you’re free to focus on what you really want to do—write!

Connect with Lynn:

Facebook: http://www.facebook.com/pages/The-Kaizen-Plan-Take-Control-of-Your-Life-10-Minutes-at-a-Time/128938320505399

Twitter: http://twitter.com/#!/TheKaizenPlan

The Writer’s Guide to Getting Organized: Take Control of Your Writing Career 10 Minutes at a Time

Writers are different. We don’t always think in straight lines. We take leaps of logic, we think metaphorically, and we know that in order to make something beautiful, you might also have to make a mess.

You’ve probably tried to adopt at least one organizing system already. Maybe it was in a bestselling book written by someone in a suit. Or maybe it was the system that works for your brother the accountant or your naturally-neat co-worker. Whatever system you tried, it was probably very logical and made total sense, until you tried to force yourself to fit into it.

Did you come to the conclusion that there’s something wrong with you? That you’re naturally disorganized? That creativity and organization can’t coexist?

First the good news: you’re not broken, and it is possible to be creative and organized at the same time.

Any functional system of organization for writers must be designed around the writing process. And every writer’s process is a little bit different.

This book shows you how to analyze your writing process and set up your tools and resources in a way that feels natural and supports you in being more successful in your writing career.

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