creative process

4 counter-intuitive workarounds to help you keep writing (or get back on track)

I didn’t mean to go so long without posting. It feels like forever — and hardly any time at all.

I could tell you all the ways my life fell apart last year, but I’d rather do something helpful: share the lessons that 2020 taught me about writing when life has other plans for you.

Right before I got sick with covid-19, I’d made commitments that would have been ambitious for healthy me: collaborating on novels for two different pen names, as well as co-authoring a nonfiction series about making sure your story’s emotional journey is as strong as it could be. 

If I’d known what was coming, I might have postponed some projects, but I was being optimistic. I figured I’d need a few weeks of rest before I’d be ready to work again.

A month later, I was getting worse instead of better. 

And I started to feel panicky about how far behind I was falling. The way I was used to working wasn’t working. 

Out of desperation, I started doing some big experiments — here are four things that worked and four things that didn’t work:

What didn’t work: Setting SMART goals and creating a detailed plan. I never had to wonder what to do next, but I also didn’t have the energy or focus to execute on anything. My word count plummeted, but my despair skyrocketed.

What did work: I lowered the bar — so low, it was practically on the ground. I let myself write in 15-minute sprints, and when that was too stressful, I aimed for 100 words, then a break. If something felt too hard to write, I let myself put in placeholders like “describe the tower later” or “fistfight goes here.” And when I was editing, if I couldn’t see a fix, I left myself a note about what felt wrong and moved on. And I napped as much as I worked.

I couldn’t believe it when my word count went up. So I choose two more things to try.

What didn’t work: Being more disciplined about sticking to a minimum number of timed writing sessions. This works great for me when I’m healthy — or even mildly ill — but I was so sick that I would run out of creative energy before I’d done all my sessions. Spending more time at the keyboard didn’t result in more words, it just made me more tired the next day.

What did work: “Writing about the writing.” Long ago, I’d read a book by a therapist who specialized in helping writers break through writer’s block, and his primary technique was to get them journaling about the thing they weren’t ready to write. So I started each day by freewriting about the day’s work — what I thought might happen in the outline, what I wasn’t sure about yet, how I wanted the reader to feel at the end of the next scene, or even about what shouldn’t go in the scene.

My word count didn’t go up, but the words I did write started to come more easily, and I was feeling less exhausted at the end of the day. And I started to find passages in my journal that I could retype into the document as-is.

But I was heading into the worst of the illness at this point, and my energy started dropping again. Feeling panicky, I tried two more experiments:

What didn’t work: Bribing myself to get the work done in the morning, before my energy ebbed. But a bribe doesn’t motivate much when you’re too sick to enjoy it.

What did work: Giving myself more daydreaming time. Rather than forcing myself to sit at my desk after the words had dried up, I wrapped myself up in a warm, fluffy blanket on the couch and let my mind wander around the topic of my project. Ideas would come, and I jotted them down. Sometimes they turned into complete sentences or paragraphs that weren’t half bad. Other times, I woke up from an unintended nap to a half-written sentence.

My word count fluctuated wildly, and I worried that the daydreaming time might be a waste of time; I was getting a lot of ideas, but they weren’t necessarily translating into more words on the page (yet). But I was too tired to spend that time writing anyway, so I kept at it.

Once I turned the corner and entered the recovery phase, I had more energy to write — but I also had more energy to panic. And there was plenty to panic about. I was months behind on everything. I would have to write almost twice as fast as usual to catch up.

But I hadn’t even gotten back up to my pre-covid word count yet.

So I went back to the drawing board.

What didn’t work: Starting a writing streak. Scheduled writing sessions had always worked better for me than a streak in the past, but the old rules no longer seemed to apply, and I hoped that my desperation might be enough to keep the streak going. But there were still a lot of ups and downs: one day I’d write for 5-6 hours, the next day I’d be back on the couch, writing 100 words at a time. And every time I broke the streak, I felt more demoralized than before.

What did work: Immersive incubation — I’ve been a fan of keeping your project front and center for a long time, but now I took it to an extreme. I re-read the previous day’s work or reviewed my outline before I got out of bed, and again before falling asleep. If I couldn’t write, I edited what I’d written before. If I couldn’t outline, I spent my writing session re-reading my character work and daydreaming about the characters’ some more. 

Surprisingly, my word counts jumped up by more than 50% — even though I wasn’t spending more time at the computer, I was writing more words per hour, and they were coming more easily. I also started recognizing that many of my new ideas had taken root during those daydreaming sessions. 

For the rest of the year, I kept up these four practices, and as my body slowly recovered, so did my productivity. 

When I tallied my word count at the end of 2020, I was shocked to discover that I had written more than half a million words. 

But more importantly, this year of illness reminded me of two things:

First, it reminded me that no matter how long you’ve been writing, there are still things you can do to improve your creative process. (And I’ll share some of the other things I did in another email.)

Second, it reminded me how powerful creativity can be, when we’re willing to meet it halfway. Like the daisy that pushes up through a crack in the pavement to reach for the sun, your creativity is always looking for a way to express itself. Even in the worst times.

It’s easy to lose faith in your creativity when life falls apart, but your creativity will never lose faith in you.

Action Prompts:

  1. Is there some area of your creative process where it might be worth lowering the bar to take the pressure off?
  2. What journaling prompts might help you see your work-in-progress from another perspective?
  3. Can you set aside 5-10 minutes today to daydream about your one current projects?
  4. What could you do to immerse yourself more deeply in the story you’re writing?

What’s the best way to get inspired?

get inspired get started-med-150

Know someone who could use a little inspiration?  Pass it on!

Writing with Your Muse, Not Your Ego

I love this Ted Talk by Elizabeth Gilbert, author of “Eat, Pray, Love,” about how changing her relationship with her creativity greatly improved her writing process. I now talk to an empty corner of my writing room every day.

If you’re doing NaNoWriMo, this mental shift could be the difference between giving up under the intense mental pressure or finishing your novel.

Whether you believe that there is such a thing as a Muse or not, taking your ego out of the writing process and focusing more closely on the work can increase your productivity and lower your stress levels.

Joe Bunting, founder of The Write Practice and Story Cartel talks about another method for separating your ego from your creative process:  he tells the story of a therapist who helped a screenwriter break through writer’s block by praying every day to write the worst novel ever.

Interview: Jenna Avery on Procrastination and the Writing Habit

Please welcome Jenna Avery, screenwriter and founder of the process-oriented Writer’s Circle. Jenna’s here to share her insights about establishing a daily writing habit, overcoming procrastination, dealing with your inner critic, and more.

Jenna, what is the Writer’s Circle? How does it work?

The Writer’s Circle is an unconventional online site for writers based on simple principles of setting small, attainable goals, taking regular daily actions, dealing with procrastination and resistance, and being in community. We help writers build and stay on track with a regular habit of daily writing and get their writing projects finished.

The way it works is that every day our participants log on to our online site and their small group and answer questions about how many minutes they wrote that day, what went well, and what was challenging. We also have them clear out the crud of negative self-thoughts and reframe them into positive thoughts on a daily basis. In conjunction with every other week live group telephone conference calls, this work teaches writers that they are not alone in their doubts, fears, and concerns, which frees up a tremendous amount of energy that can then be used for writing and creating. Writing together teaches us that we have the support we need to show up and do the work, every single day.

What are the benefits of the Writer’s Circle approach to writing?

So many writers struggle with writing consistently and showing up every day to do the work. We procrastinate, we get afraid, and we invent reasons not to write (toilet scrubbing, anyone?). As Steven Pressfield says, “It’s not the writing part that’s hard. What’s hard is sitting down to write.”

The Writer’s Circle provides a kind of motivation to show up and do the hard work of sitting down to write, because you know that if you don’t check in at the end of the day on the site, the other writers in your small group and your coach will notice and miss you. You’ll get encouragement from them on the days when it’s hard and they’ll cheer you on when it’s easy. Having that kind of support reduces isolation, which is a huge issue for so many writers, and just seeing all the little green check marks for every day you write is so satisfying too.

We also teach the idea of writing for very small increments of time — with an inverse correlation between how stuck you feel and the number of minutes you spend writing. In other words, the more blocked you feel, the less you’ll want to aim for each day, at least to start.

This pattern of brief writing sessions sets you up to: 1) prevent binge-writing and burn out, 2) feel a daily sense of accomplishment, and 3) build a stronger sense of self-confidence, trust, and belief in yourself that you can and will do the work. All of these help you keep going in the long term.

What inspired you to start this group?

Although I’ve been writing regularly for my life coaching business for over 10 years now, despite my best efforts, I was not doing my heart’s true writing: science fiction. I knew that I needed to make a major change in my thinking about writing and when I saw this system — which was originally designed to help academic writers complete their dissertations — I just had to have it for myself and to share it with other writers who wanted help with their own writing accountability and follow through.

How long have you been running it? Has the program changed at all over time?

I’ve been running the Writer’s Circle since September of 2011 when we ran our first beta test group. Since that time, we’ve seen novels, ebooks, screenplays, poems, songs, memoirs, and non-fiction books completed. It’s been amazing. Over the course of the last year, we’ve added a few bells and whistles to make the program stronger, like twice-weekly group writing sprints, and the option to upgrade and add private coaching support. We’ve also split from one group into two, and we expect to keep adding more groups and coaches as demand increases.

What’s the biggest adjustment writers have to make when they first try this approach to writing?

The biggest adjustment for writers is in their mindset. When we start writing or want to write, we have a lot of limiting beliefs that get in the way of our actually doing the work. For instance, many writers believe they have to have long blocks of time before they can write. Or that they have to have a laptop, the right space to work in, more money, a better job, quieter kids, or a more understanding spouse. Or that they have to be in the right mood to write. None of those things are true. In fact, they are just stories we tell ourselves because we are afraid to write and afraid to fail. The work is learning to show up and write, every day, no matter what.

Along those same lines, our writers also have to persuade themselves to give up binge-writing in mad, rushed, deadline-meeting frenzies and instead set themselves up for the long haul, like a running a marathon — we have to learn to pace ourselves for the long term. The Writer’s Circle provides evidence that helps them make these mindset shifts.

What types of problems can this approach help writers overcome?

Writer’s block, procrastination, resistance, isolation, poor planning, self-doubt, and self-sabotage are the first problems that come to mind. I’m sure there are more. The beauty of this system is that it has far-reaching positive impacts in other areas of life as well. We see our writers also making positive changes in around exercise, organization, and time management, for instance.

How has this approach changed the way you write?

I have shifted my thinking about writing. I no longer believe I have to get it right on the first try. I no longer believe I have to “warm up” before I can start writing. I am fiercely committed to writing at least 6 days a week, no matter what. I’ve been through some difficult personal experiences lately, and I have never been more proud of myself for continuing to write, day in and day out, regardless of my mood or the state of my personal life. The Writer’s Circle has shifted my approach to writing from that of an amateur to that of a pro.

What advice would you give someone who’s trying to establish a writing habit?

The best way to establish a regular writing habit is to start small and to start now. Make it SO easy that you can’t not do it. For instance, on day 1, simply open your document and type in one word or one sentence, then close it again. Be sure to acknowledge and celebrate your action immediately, even if it’s just with the smallest internal shout of, “I did it!” Then on day 2, type 2 sentences, and so on. Keep working up to a point where you know you can comfortably continue the pattern (even if it’s only a few minutes a day). Make sure you design it to be something a regular-you can accomplish, not the super-human version of you. That way you’ll set yourself up for long term sustainability.

Then, keep doing it. Don’t fall for your inner critic’s nagging about how you’ll never get anywhere. I’ve written half a screenplay in 15 minute increments and I’m on track to complete it. You can do it too.

What’s unique or distinct about this group from other writing groups?

One significant — and important — distinction from other writing groups is that we do not do critiques of each other’s work in the Writer’s Circle. We focus on helping writers work out the kinks in their writing habits, and very often those kinks are the result of difficult past critiques that have become creative wounds, which in turn have become blocks. It’s so important to us to keep a safe space where we can break down those blocks, heal those wounds, and get back to the task of regular writing, that we’ve made the decision not to exchange critiques of our work.

That said, we strongly support writers to get useful and constructive feedback from outside sources when their work reaches the appropriate stage. Critiquing is a highly useful and separate tool we all need to make our writing the best it can possibly be.

Thank you so much for this opportunity to share the Writer’s Circle with you. If you’ve got a long term writing project you’d love to see finished, we’d love to have you join us in the Writer’s Circle. I’ll be lurking around the site here today, so if you have questions, thoughts, or comments, be sure to post them and I’ll respond ASAP.


Jenna AveryJenna Avery is a screenwriter who redesigned her life to support her passion for writing. Her most recently completed project is a sci-fi action script called Progeny. She is also a life coach and the founder of the Writer’s Circle — an online “Just Do The Writing” accountability system — designed to help writers get the support, accountability, and inspiration they need to finish all their writing projects and get their work into the world. Jenna blogs about writing, creativity, and life purpose at JennaAvery.com. Follow her on Twitter @JennaAvery.

You can find the Writer’s Circle at JustDoTheWriting.com.

“Start The New Year Off Write” special: save $30 when you sign up for the 12/31 session using the code NEWYEARWRITE at http://JustDoTheWriting.com.